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A Lovely Little Milestone: My Vase Trio Featured in The Lady

Updated: 1 day ago

I still remember the moment I saw it in print. There, nestled within the pages of The Lady (1st Nov–5th Dec 2024 issue), was my vase trio, my humble business, ArtyPax—the shouldered vase, the wavy-rimmed vase, and the tall neck vase. One of those quiet-but-huge moments that makes you stop, smile, and think, yes… this is why I do this.


Ceramic bisque vase set of three

A Trio Designed to Be Lived With


This vase trio is designed to feel calm, timeless and quietly expressive—pieces that don’t shout for attention but gently earn it.


  • The shouldered vase is grounded and reassuring, perfect for fuller stems or dried arrangements.

  • The wavy-rimmed vase brings movement and softness, inspired by natural rhythms and imperfect beauty.

  • The tall neck vase is elegant and understated, made to hold a single stem just as confidently as a small bouquet.


Together, they’re meant to work as a set or shine individually—styled on shelves, tables, or windowsills, becoming part of everyday life rather than something kept “just for best”.


Why Being Featured in The Lady Means So Much


The Lady is one of the UK’s longest-established magazines, renowned for its thoughtful editorial, timeless style and celebration of quality craftsmanship - values that sit right at the heart of ArtyPax. With a loyal readership that values tradition, longevity and well-made pieces, being featured in its pages feels like a meaningful endorsement of slow, considered design, especially as a small UK business built slowly and intentionally.


This wasn’t about trends or quick wins. It was about objects made with care, designed to last, and chosen because they resonate. That recognition means more than I can easily put into words.


A Quiet Thank You


I’m so grateful to be featured in The Lady & for them including my work. To everyone who has supported ArtyPax—whether you’ve purchased a piece, shared my work, or simply followed along. Moments like this don’t happen in isolation; they’re built on years of making, refining, and believing in slow, meaningful creativity.


If you’ve welcomed one of these vases into your home, know that it started life as a sketch, became clay and ended up somewhere I never quite imagined—on the pages of a magazine I’ve long admired.

And honestly? That feels pretty special.



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